eBook PDF / e-Pub Humour: A Very Short Introduction

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Title:Humour: A Very Short Introduction
Format Type:Ebook
Author:
Publisher:Oxford University Press
ISBN:0199552223
ISBN 13:
Number of Pages:126
Category:non-fiction, humor, philosophy

Humour: A Very Short Introduction by Noël Carroll

PDF, EPUB, MOBI, TXT, DOC Humour: A Very Short Introduction Humour is a universal feature of human life It has been discovered in every known human culture and thinkers have discussed it for over two thousand years In this i Very Short Introduction i Noel Carroll considers the nature and value of humour from its leading theories and its relation to emotion and cognition to ethical questions of its morality and its significance in shaping society .

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Mystifying Movies: Fads & Fallacies In Contemporary Film Theory, Humour: A Very Short Introduction, Theories of Art Today, Philosophy in the Twilight Zone, Philosophy of Art: A Contemporary Introduction, A Philosophy of Mass Art, The Philosophy of Horror: Or, Paradoxes of the Heart, The Philosophy of Motion Pictures, Philosophy of Film and Motion Pictures: An Anthology, On Criticism
We live in a world surrounded by mass art Movies TV pulp literature comics rock music both broadcast and recorded surround us everywhere Yet despite the fact that for the majority of people mass art supplies the primary source of aesthetic experience the area has been neglected entirely by analytical philosophers of art br In this pathbreaking new book a leading philosopher of art provides an accessible and wide ranging look at the topic Noel Carroll shows why philosophers have previously resisted and or misunderstood mass art and he develops frameworks for understanding the relation of mass art to the emotions morality and ideology He also discusses the major theories of such pivotal figures as Collingwood Adorno Benjamin McCluhan and Fiske Mixing conceptual analysis with many vivid examples Carroll forges the first significant attempt at a philosophy of mass art concluding that there are strong grounds for approaching mass art in the same fashion as high art br, i Philosophy of Motion Pictures i is a first of its kind bottom up introduction to this bourgeoning field of study Topics include film as art medium specificity defining motion pictures representation editing narrative emotion and evaluation br br Clearly written and supported with a wealth of examples br br Explores characterizations of key elements of motion pictures the shot the sequence the erotetic narrative and its modes of affective address, Utilizing a series of essays examining the broad philosophical concepts embedded in Rod Serling s series i The Twilight Zone i b i Philosophy in The Twilight Zone i b provides a platform for further philosophical discussion br br br Features essays by eminent contemporary philosophers concerning the over arching themes in i The Twilight Zone i as well as in depth discussions of particular episodes Fuses popular cult entertainment with classical philosophical perspectives Acts as a guide to unearthing larger questions from human nature to the nature of reality and beyond posed in the series Includes substantial critical and biographical information on series creator Rob Serling, In a recent poll of practicing art critics percent reported that rendering judgments on artworks was the least significant aspect of their job This is a troubling statistic for philosopher and critic Noel Carroll who argues that that the proper task of the critic is not simply to describe or to uncover hidden meanings or agendas but instead to determine what is of value in art br br Carroll argues for a humanistic conception of criticism which focuses on what the artist has achieved by creating or performing the work Whilst a good critic should not neglect to contextualize and offer interpretations of a work of art he argues that too much recent criticism has ignored the fundamental role of the artist s intentions br br Including examples from visual performance and literary arts and the work of contemporary critics Carroll provides a charming erudite and persuasive argument that evaluation of art is an indispensable part of the conversation of life