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Title:Principes de la philosophie du droit
Format Type:Ebook
Author:
Publisher:Flammarion
ISBN:2080706640
ISBN 13:
Number of Pages:444
Category:philosophy, politics, non-fiction, classics

Principes de la philosophie du droit by Georg Wilhelm Friedrich Hegel, Jean-Louis Vieillard-Baron

PDF, EPUB, MOBI, TXT, DOC Principes de la philosophie du droit Among the most influential parts of the philosophy of G W F Hegel were his ethics his theory of the state amp his philosophy of history The Philosophy of Right Grundlinien der Philosophie des Rechts the last work published in Hegel s lifetime is a combined system of moral amp political philosophy or a sociology dominated by the idea of the state Here Hegel repudiates his earlier assessment of the French Revolution as a a marvelous sunrise in the realization of liberty Rejecting the republican form of government he espouses an idealized form of a constitutional monarchy whose ultimate power rests with the sovereign

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Introduction to the Philosophy of History with Selections from The Philosophy of Right, The Encyclopaedia Logic: The Encyclopaedia of Philosophical Sciences 1 with the Zusatze, Aesthetics: Lectures on Fine Art, Vol 1: Introduction & Parts 1-2, Phenomenology of Spirit, Science of Logic, The Philosophy of History, Preface to the Phenomenology of Spirit, Introductory Lectures on Aesthetics, Elements of the Philosophy of Right, Reason in History
A translation of Hegel s German text It includes a bilingual annotated glossary bibliographic and interpretive notes to Hegel s text an Index of References for works cited in the notes a select Bibliography of various works on Hegel s logic and an Index, Preface br Introduction br Note on the Text br The three methods of writing history br Reason as the basis of history br The idea of history amp its realization br The idea of freedom br The means of realization br The idea amp the individual br The individual as subject of history br The individual as object of history br The State br The State as realization of the idea br Law as realization of freedom br The legal foundation of the State The Constitution br The religious foundation of the State br The course of world history br The principle of development br The origin of history br The pre history of reason br The State as condition of history br The historical role of language br The course of development br The principle of a people br The dialectic of national principles, This is a new translation with running commentary of what is perhaps the most important short piece of Hegel s writing The Preface to Hegel s first major work the i Phenomenology of Spirit i lays the groundwork for all his other writing by explaining what is most innovative about Hegel s philosophy br br This new translation combines readability with maximum precision breaking Hegel s long sentences and simplifying their often complex structure At the same time it is more faithful to the original than any previous translation br br The heart of the book is the detailed commentary supported by an introductory essay Together they offer a lucid and elegant explanation of the text and elucidate difficult issues in Hegel making his claims and intentions intelligible to the beginner while offering interesting and original insights to the scholar and advanced student The commentary often goes beyond the particular phrase in the text to provide systematic context and explain related topics in Hegel and his predecessors including Kant Spinoza and Aristotle as well as Fichte Schelling Holderlin and others br br The commentator refrains from playing down as many interpreters do today those aspects of Hegel s thought that are less acceptable in our time and abstains from mixing his own philosophical preferences with his reading of Hegel s text His approach is faithful to the historical Hegel while reconstructing Hegel s ideas within their own context br br, i Librarian note an alternate cover for this edition can be found a href https www goodreads com book show introductory lectures on aesthetics rel nofollow here a i br br For Georg Wilhelm Friedrich Hegel art almost ranked with religion and philosophy in its power to reveal the fundamental nature of existence But although he lived in the German golden age of Goethe Schiller and Mozart he also believed that art was in terminal decline br p To resolve this apparent paradox as Michael Inwood explains in his incisive Introduction we must understand the particular place of aesthetics in Hegel s vast intellectual edifice Its central pillars consist of logic philosophy of nature and philosophy of spirit Art derives its value from offering a sensory vision of the God like absolute from its harmonious fusion of form and content and from summing up the world view of an age such as Homer s While it scaled supreme heights in ancient Greece Hegel doubted art s ability to encompass Christian belief or the reflective irony characteristic of modern societies Many such challenging ideas are developed in this superb treatise it counts among the most stimulating works of a master thinker br br Table of Contents br Introductory Lectures on Aesthetics Introduction A Note on the Translation and Commentary br INTRODUCTORY LECTURES ON AESTHETICS br br Chapter I The Range of Aesthetic Defined and Some Objections against the Philosophy of Art Refuted br Aesthetic confined to Beauty of Art br Does Art merit Scientific Treatment br Is Scientific Treatment appropriate to Art br Answer to br Answer to br br Chapter II Methods of Science Applicable to Beauty and Art br Empirical Method Art scholarship br a Its Range br b It generates Rules and Theories br c The Rights of Genius br Abstract Reflection br The Philosophical Conception of Artistic Beauty general notion of br br Chapter III The Conception of Artistic Beauty br Part I The Work of Art as Made and as Sensuous br Work of Art as Product of Human Activity br a Conscious Production by Rule br b Artistic Inspiration br c Dignity of Production by Man br d Man s Need to produce Works of Art br Work of Art as addressed to Man s Sense br a Object of Art Pleasant Feeling br b Feeling of Beauty Taste br c Art scholarship br d Profounder Consequences of Sensuous Nature of Art br Relations of the Sensuous to the Mind br Desire br Theory br Sensuous as Symbol of Spiritual br The Sensuous Element how Present in the Artist br The Content of Art Sensuous br br Part II The End of Art br The Interest or End of Art br a Imitation of Nature br Mere Repetition of Nature is br Superfluous br Imperfect br Amusing Merely as Sleight of Hand br What is Good to Imitate br Some Arts cannot be called Imitative br b Humani nihil br c Mitigation of the Passions br How Art mitigates the Passions br How Art purifies the Passions br It must have a Worthy Content br But ought not to be Didactic br Nor explicitly addressed to a Moral Purpose br d Art has its own Purpose as Revelation of Truth br br Chapter IV Historical Deducation of the True Idea of Art in Modern Philosophy br Kant br a Pleasure in Beauty not Appetitive br b Pleasure in Beauty Universal br c The Beautiful in its Teleological Aspect br d Delight in the Beautiful necessary though felt br Schiller Winckelmann Schelling br The Irony br br Chapter V Division of the Subject br The Condition of Artistic Presentation is the Correspondence of Matter and Plastic Form br Part I The Ideal br Part II The Types of Art br Symbolic Art br Classical Art br Romantic Art br Part III The Several Arts br Architecture br Sculpture br Romantic Art comprising br i Painting br ii Music br iii Poetry br Conclusion br br Commentary p